ACTS Studios | Anthony Thompson Shumate
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Drawing, Sculpture

SOCIAL SECURITY GUARD

24″ x 36″ Inlaid Acrylic in Bas Relief “Social Security Guard”  

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Installation, Public Art, Sculpture, Special Projects, Temporary

The Original Bit-Coin

Created as a temporary piece for Arts on the Avenue in Houston. Found on an esplenade between 9th and 10th Street on Heights Blvd. It is a 72″ x 60″ x 6″ work made from wood and steel. It is hand painted with exterior latex paint.

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Feature, Installation, Public Art, Special Projects

Meanwhile in Space City… [ArtBlocks Houston 2016]

Paint by Number     Color Version

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Public Art, Sculpture, Special Projects

Monumental Moments – VERBS

The concept of the work are a series of human scaled words to be integrated into the environment. These single word thoughts are thoughtfully placed in areas along the course of the Buffalo Bayou trail. The placement of these “Word Sculptures” incorporated a single word to create a meditative call to action during the viewer’s experience along […]

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Design, Installation, Public Art, Sculpture

Lightly Metered (Windblown Meters)

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Installation, Public Art, Sculpture, Special Projects

Reminders / Recordatorios

These works are in the final stages of completion. They were commissioned by the Greater East End Management District in Houston. Special Thanks to Robert Ziebell for some of the pictures

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Drawing, Silkscreen

Disaster Ball

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Feature, Painting, Sculpture, Uncategorized

Sweetly Broken

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Drawing, Feature, Installation, Sculpture

MEASURED

MEASURED explores the measurements imposed and created by mundane objects and their influence on individuals. These fill the social and identity voids created by perceptions. The images are 1:1 scale drawings of “tools” that measure an individual through the prism of social norms and expectations. From a wedding ring, to a vibrator, to a house, […]

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Public Art, Sculpture, Special Projects

The Galactic Forfeit Cowboy Lounge

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Installation, Public Art, Sculpture, Special Projects, Uncategorized

Pluvia [rain]

50 mW lasers, mirrors, and mirrorpane Anthony Thompson Shumate’s PODS® container explores the impact of weather as a powerful cultural and aesthetic force. Shumate’s unit is equipped high-tech lasers that create an environment made of light and sound based on the experience of the regional weather.  The expansive resources of Houston are used to create […]

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Feature, Installation, Sculpture, Special Projects, Uncategorized

COCKY, conversation with my critics.

Read the review by Douglas Britt >> See the video and other documentation on the iPad app >> This dynamic new body of work demonstrates Thompson Shumate’s mastery of storytelling while merging new contemporary pieces with the classical concepts from DuChamp to Ruscha.  The semi-autobiographical show includes an exciting variety of multimedia experiences for its viewers.  Central […]

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Sculpture

EDUCATION Tsar

Swarovski crystals, Ceramic, polymer clay, graphite, and #2 yellow enamel 7″ Tall

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Drawing, Lithographty, Uncategorized

Shining Star Livery

20 x 30 Litho Print on Watercolor Paper Recount of Bethlehem from 19th Century

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Installation, Sculpture, Video

The Pump that Jack Used.

EXCERPT FROM PRESS RELEASE: “The name of the show, The Pump that Jack Used, is a “tongue and cheek” play on children’s picture book titles, applied to the executive political workings of the all mighty oil industry. While conducting research in preparation for the show, Anthony Thompson Shumate discovered that the same 15 people sit on […]

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Sculpture

Extol Petro

Neon Acrylic, Cold Cathode, Retablo Tin, and Grafite 12 x 10 inches Purchased by Lester Marks, 2006 Lawndale Art Center

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Installation, Public Art, Sculpture, Special Projects

Southwest Airlines Terminal Proposal

Finalist Proposal for Southwest Airlines Terminal at Hobby Airport, Houston, Texas. Collaboration with Robert Ziebell, Doug Michels, and Anthony Thompson Shumate [nggallery id=14]

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Sculpture

Animal Farm Chapter:1

Printed with hand crushed terra-cota mixed with acrylic medium and Gold leafing on watercolor rag paper. George Orwell’s Animal Farm was translated into Arabic mechanically, and arranged juxaposed to the english counterpart with an illustrations.  

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Video

I am Blue ‘cuz I am Red over you…

A pre-election video installation piece, with Obama reciting the 1 section of the Communist Manifesto by Karl Marx. In the first section, Marx outlines what the problem is with the class structure and its implied problems. It is an obivious quote to Shepard Fairley’s provactive poster. [hana-flv-player video=”http://actsstudios.com/images/Obama3.flv” width=”450″ height=”700″ description=”” player=”4″ autoload=”true” autoplay=”false” loop=”false” […]

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Video

Blimpnation

A video short about paranoia and imagination… [KGVID]http://actsstudios.com/wp-content/uploads/2010/01/BlimpnationSmall.mov[/KGVID]

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Video

Perspectives: Brushing Teeth

This short is based around the perception of everyday life and our routines.  The viewer is tossed into a world where one character arrives and ascends into his home carrying a bag from work, only to continue to continue to work (removing items and brushing teeth).  While the viewer, through the camera, descends to the […]

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Video

Big Mac Attack

This short is based around the distracting nature of advertising, and its impacts on the globalization of media and culture. The viewer is torn between watching the attack of a car filled with terrorists by NATO troops in Kosovo and an late 80s McDonald’s commercial about the Big Mac.  In its irony, the spot was […]

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Installation, Sculpture

Novus Ordo Seclorum [Amero]

Novus ordo seclorum (Latin for “New Order of the Ages”) appears on the reverse of the Great Seal of the United States, first designed in 1782 and printed on the back of the American dollar bill since 1935.  Through the duality of beauty and commentary, the installation evokes a proud and mixed nostalgia, while opening […]

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Installation, Sculpture

Benevolent Imperialist

24 K Gold Plated Burger King Crown Hand Sewn Satin Pillow 6 Inches Tall

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Installation, Photography, Special Projects

Las Pozas: Steps & Falls

Available for the iPAD, and it is awesome >> Las Pozas: Steps and Falls is an interactive virtual tour of the fantastical surrealist garden created by the iconoclastic British aristocrat and poet Edward James (1907-1984). A visionary patron and friend of the European surrealist artists, James supported projects by Salvador Dáli and sat for portraits […]

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Painting

100 Opinions of Mars and Venus

48 x 96″ Digital Print on Canvas A sampling of a total of two hundred people were questioned over a two week period. One hundred men and one hundred women from different social and economic groups were asked to participate. I asked participants to list ten words that best described their gender. They could not […]

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Drawing, Sculpture

The Proletariats

Proletariats (Series of 10) Gilcee Prints in Cast Faux Frames

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Public Art, Sculpture

Delicious Douglas

450 Food Cans, Hand Engraved Can openers, and Plywood In Houston, a non-profit art organization named Buffalo Bayou Art Park, hosts an event for artists to make work during the holiday season in the urban streets of downtown. Serveral sites open for artists to choose from. During this selection process I witnessed several homeless people […]

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Sculpture

Perspectives:1

Aluminum and Neon with LCD Screen 40 Inches Wide I was researching media bias, and I came across a study that opened the door for this work. It was a small study of CNN’s Cuban stories from 1997-2001. It analyzed the 212 stories that were broadcasted during that time, and made aware the notion of […]

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Public Art, Sculpture

Apollyon

Series of Living Bibles with Digital Print Dust Covers The concept of the work was to transform a neutral, timeless object into a contemporary context. I selected a series of Living Bibles written in English and updated with American colloquialisms. I designed and illustrated a new dust cover for the eight books in the series. […]

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Installation, Public Art, Sculpture

Brazos Trace

Liz Ward Robert Ziebell Anthony Thompson Shumate Commission, University of Houston Sugarland Campus The inspiration for Brazos Trace is the Brazos River, a major geographical feature adjacent to the campus. The project’s curving panels create the visual effect of a river descending through the architectural space. The river-like panels are patterned with images relating to […]

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Installation, Sculpture

Midwestern / Mideastern (Jihad Belt Buckle)

Midwestern-Mideastern (Jihad) Silver Plated Bronze Buckles, Hand tooled belts, Video Projection: 10 Ft in diameter Buckle: 6″ in diameter Based on the Texas “Ye-haw” and its connection with the “country” sub-culture, the “Jihad” belt buckles are fashioned with a cowboy hat at the top of the J. The projection is an illustrated version of both […]

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Sculpture, Video

Suitor of Helen

Suitor of Helen White Pine, LCD screen, DVD, and 8 screws 18” x 42” x 36” Based on both the Fat Boy Bomb and the Trojan Horse, this work explores the duality of icons and their juxtapositions when related to history. This includes a looped video of politically correct youths marching in line. It also […]

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Installation, Sculpture, Video

STATIONS

The name of the show, Stations, is a “tongue and cheek” play on the common euphemism of the fourteen stations where Christ stopped on his final sacred voyage, and the top fourteen gas service stations (not gas companies) in America.

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Installation, Sculpture, Video

ClubGitm’o

ClubGitm’o:Houston highlighted the current political struggle between prevention from terrorism versus the deterioration of civil rights with a luxurious touch. The experience of ClubGitm’o:Houston addressed the conflict by directly presenting both truths: the methods to prevent terrorism and the need to protect civil rights and the overstepping of both camps. By participating in this event, […]

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Sculpture

American Fable

Cast Chocolate Abraham Lincoln bust. Based on the notion of icons and effigies that transcend their origins, like the legend of honest Abe and the Easter Bunny. The tactile, powerful material of chocolate invites the need to taste the work without consideration of the fragility or true “taste” of the object. It has an incredible […]

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